Getting permission from a copyright owner
Essentially, the document talks about the processes of
obtaining a copyright and legal matters surrounding a copyright.
It list major acting bodies of copyright representatives
where an individual may wish to obtain a licence. Different bodies represent
different media and for different settings.
The document also talks about the different types of licences and
what would constitute as a copyright infringement.
Defence against a copyright infringement would not be applied if
·
If you are unable to identify or
contact the copyright owner.
·
If you merely acknowledged the
creator/copyright owner.
·
If you have wrongly used the relevant
copyright work from the creator’s request.
Infringement of Copyright – What Should I Do?
Discusses what
an infringement is, then continues on to what may or may not be considered a
‘substantial part’ that is used from the original material. Grey area on what
constitutes as a substantial part but ultimately digresses that even a minimal
part e.g. a few bars from a music sheet could be an infringement case.
Coincidental
similarities does not constitute as an infringement case, it would only be
infringement if the resulting similarity was gained by direct or an indirect
form of copying.
Authorising an
infringement, which the document says “sanction, approve or countenance” as an
act of authorisation, will also incur the practitioner an infringement case.
The document
then goes on about certain situations in which one would be allowed to use
copyrighted material the permission of the copyright holders. This is for such
things as research or private study, criticism, reviews or news reporting. Certain
bodies also have certain exceptions to infringement.
The latter half
of the document is if you’re the copyright owner and your works are being
infringed upon, there are certain things you would be able to do such as
contact representative copyright bodies that pertains to your medium.
You may then
decide on a course of action.
You may also
decide to make an informal contact with the infringer.
Moral Rights
Creators gain
moral rights to products they have created. Also known as ‘personal rights’ or ‘economic
rights’
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